Two-and-a-half weeks ago, Lucie Meier gave birth to a daughter. “It’s three of us now,” said her husband and co-creative director Luke, who shared a photograph of baby Ella Rose dressed in a crisp, white gown with delicate lace and embroideries: the infant incarnation of her parents’ puritanical vision at Jil Sander. Lucie hadn’t tried to hide her pregnancy, but since everyone outside her studio had only seen her neck-up on a Zoom call for the last nine months, no one realized. “I worked until a week before, but it’s good to be two,” she said. “Luke could take over.”

They had begun working on their men’s collection some three months into the pregnancy, so, as Luke pointed out, “I don’t know if it’s conscious and present in the work yet.” The designers were, however, more reflective about the fashion world than normal. On a video call from Milan, Luke lamented fashion’s commercialization of parts of the sports- and streetwear that shaped him (he spent eight years at Supreme), and fondly remembered the eclecticism and individuality of New York street style in the early 1990s.

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